Dating fender acoustics guitars dating a man with kids problems
I then use the Sans Amp GT2 pedal that can emulate the old Bassman as an insert between the amp and the guitar. The pedal can also emulate a lot of other legendary amps quite good, but so far I never used that.
Echo: When you play your Fender Amp, don't use the built in Reverb that some of them have.
Therefore digital emulation is often the way to go.
The big exception here is - of course - microphones.
It doesn't have to be vintage at all, but they do look pretty cool. The distortion (which is where you get the right sound from) changes dramatically with change of volume.
Actually I started out playing a vintage Vox AC 30 and it wasn't bad at all. That's very impractically when you play live, where you have to adjust the volume after the size and acoustics of the place where you playing.
There are many other suitable echo units/pedals out there and some of them are better than my DD-3.
The long and the short of it is, that analogue equipment is cool, but often costs too much and is unreliable.A great new book on Rockabilly has just been released.I've contributed with my article on Burlison/Martin and some info on the European rockabilly scene and its bands.If the room is very dry I turn up the E.level to full.
The typical settings for a rockabilly slapback echo (for guitar) on any unit are between 100 and 200 ms and very few repeats. There I use various digital delay effects (emulating tape echo for instance), as I record without echo and add it in the mix.
Later on, in the Guitar section, I'll also talk about Standel and Echo Sonic, but they're produced in such small numbers that it's fair to say they'll only have historic interest to the most of us So...